The Secret Footage of Ray Johnson

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Ray Johnson (1927-95) was all the time elusive. When admirers referred to as his work Pop, within the sixties, he relabelled it Chop—a nod to collage, the medium for which he’s finest identified. On the finish of his life, the American artist used disposable cameras to take some three thousand photos (together with “Invoice and Railroad Tracks,” from 1992, above) and saved them a secret. On June 17, the Morgan Library & Museum opens “Please Ship to Actual Life: Ray Johnson Images,” the primary exhibition of those lately found works.

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